Victims’ Memorial Quilt Retires for Preservation

Victims’ Memorial Quilt Retires for Preservation

The Victims’ Memorial Quilt hangs on a wall in the Museum. The wall includes images of the Twin Towers, Pentagon, and Flight 93, as well as images of the victims.
The Victims’ Memorial Quilt. Gift of Bill Doyle on behalf of the intended 9/11 family recipients of the Victim’s Quilt, (Photo: Jin Lee).

Behind the scenes, preparations are underway for the first rotation of artifacts in the public galleries since the 9/11 Memorial Museum opened one year ago. Because our preservation obligations require rest periods for materials sensitive to light and gravity, several 9/11 response-art items which helped to inaugurate the Museum will be replaced with a new selection of objects from our permanent collection.  Due to this conservation mandate, the much admired Victims’ Memorial Quilt has been retired to help preserve it.

The expansive, 60-foot long quilt features three panel sections, each dedicated to a 9/11 attack site. The names and portrait images of those respective victims are further arranged into groupings by company, flight and responder agency.

Florida resident Jeannie Ammermann conceived the concept for the quilt on September 14, 2001, as a gesture of condolence to those affected by 9/11.

“Privileging the names and faces of those killed, the quilts would honor both the individuality and diversity of those who were killed,” said Ammermann.

--By Jan Ramirez, Chief Curator & Vice President of Collections

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Children’s response art to 9/11 is part of Memorial Museum’s collection

Children’s response art to 9/11 is part of Memorial Museum’s collection

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In the fall of 2001, New York University’s Child Study Center embarked on an ambitious project to study children's artwork triggered by 9/11. The artworks culminated in a book by Harry Abrams called  "The Day Our World Changed" and an exhibition that debuted at the Museum of the City of New York on the first anniversary of the attacks. The Museum recently acquired 56 of these art pieces, created by children between the ages of 5 and 18.

In times of emotional unrest, children often express themselves through art. Taped to firehouse and police station windows, tacked inside respite centers and ornamenting fences at the World Trade Center site, drawings and paintings created by this generation of youthful witnesses became a familiar sight throughout New York City in the aftermath of 9/11. Many children were starting their school day on September 11, 2001, experiencing the breaking news with their teachers and fellow classmates.  The shock was heightened by concern for the safety of children’s family members who worked in the World Trade Center or responded with the uniformed rescue services converging at the disaster scene. 

 We are grateful to the New York University Child Study Center for facilitating this important collection. Learn more >>

By 9/11 Memorial Staff

Lady Liberty Replica is centerpiece for 9/11 teaching tools

Lady Liberty Replica is centerpiece for 9/11 teaching tools

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The extraordinary artifact, “Lady Liberty,” is brought to life online through technology allowing users to learn more about the tributes and memorials placed on the replica that once stood outside a firehouse on Eighth Avenue and West 48th Street in Manhattan.  Following 9/11, the Lady Liberty replica, which measures more than 10 feet, was adorned with police uniform patches, miniature U.S. flags, letters of encouragement and other tributes and memorials.

The online application was designed by Archetype, an interactive and engineering firm out of California. The firm is also developing an interactive 9/11 Timeline that includes actual recordings from survivors, first responders and witnesses to the events, as well as images related to 9/11.   

“Archetype was honored to work on the interactive Timeline and Lady Liberty applications, helping to further the mission of the National September 11 Memorial & Museum. The interactive Timeline allows users to experience 9/11 through a variety of perspectives and rich media, helping foster a deeper understanding of the day’s events,” said Michael Lucaccini, President, Archetype. 

Archetype CEO Danny Riddell said, “Our goal in building the Lady Liberty application was to make users feel, through an interactive experience, as if they are standing in front of the physical statue, taking in every detail, tribute and memorial.”  

"Lady Liberty" is also the centerpiece for educations materials, including a teaching guide called "Tribute Art and 9/11: Healing through Artistic Responses." Created jointly by The September 11th Education Trust and the Social Studies School Service, it provides teaching tools on educating students on 9/11.

The actual Lady Liberty replica is on display at the 9/11 Memorial Preview Site, 20 Vesey St.   

By Michael Frazier, Sr. Communications Manager for the 9/11 Memorial

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