WTC Steel Being Used in NJ Memorial

WTC Steel Being Used in NJ Memorial

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About 60 miles west of New York City, a piece of World Trade Center steel will serve as the anchor for a memorial to Warren County resdients who died in the Sept. 11, 2001, terrorist attacks, according to a report by lehighvalleylive.com.

The Port Authority of New York and New Jersey is donating the steel for the memorial that is being proposed for a location near the county's fire academy in Franklin Township. Supporters hope the memorial is completed in time for the 10th anniversary of the terror strikes.

The memorial is to honor three Warren County residents who died on Sept. 11, 2001. It will also honor first responders from the town who died in the line of duty between 1911 and 1997, including three firefighters and six police officers, the report said.

The Port Authority, which is building the National September 11 Memorial & Museum, is seeking proposals from public and city agencies and not-for-profit groups interested in acquiring a piece of 9/11 World Trade Center steel for public display. Tons and tons of WTC steel are being stored at a JFK airport hangar and  pieces of the steel are being shipped nationwide.

By Michael Frazier, Sr. Communications Manager for the 9/11 Memorial

Honoring Memory, Lives in the 9/11 Memorial Museum

Honoring Memory, Lives in the 9/11 Memorial Museum

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The family of Rosa Gonzalez, who worked in Tower One and was killed on 9/11, recently donated T-shirts, missing posters, and mass cards to the 9/11 Memorial Museum. These personal items, accompanied by recorded stories, will be preserved in Rosa’s memory in the Museum’s permanent collection.

They reflect the types of artifacts that will be shared with visitors in a memorial exhibition that will honor the individual lives of the nearly 3,000 victims of the September 11, 2001 and February 26, 1993 terrorist attacks. Victims’ loved ones are invited to help participate in the creation of the exhibition by sharing memories, objects, photos and other materials with the museum.

Learn about contributing to the memorial exhibition >>

Read more about Rosa Gonzalez >>

By 9/11 Memorial Staff

A Living History: The Stories Behind 9/11 Artifacts

A Living History: The Stories Behind 9/11 Artifacts

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“A Living History: The Stories Behind 9/11 Artifacts” is a three-part series written by oral historian Jenny Pachucki of the 9/11 Memorial Museum and edited by Meghan Walsh, communications associate for the 9/11 Memorial. "Three Ensembles: The Seasons of Ground Zero"  is part 3 of 3 in the series. (All photos by 9/11 Memorial staff)

NYPD officer David Brink recently arrived at the 9/11 Memorial Museum's office with a large suitcase.  From it, he pulled out what he called his "three ensembles," all of which he donated to the museum's collection along with other storytelling artifacts. Each of the three ensembles were articles of clothing that correspond to certain times Brink worked at ground zero for nine months during the recovery period.

 

A Clear, Blue Sky on 9/11

On September 11, 2001, Brink dressed in light clothing perfect for a beautiful fall day. Brink recalled donning his standard issued emergency services unit response uniform, consisting of sturdy black boots, gun belt, ropes and repelling gear. The uniform was completed with a Scott air pack. While his response uniform was light, his gear weighed about 70 pounds.  “It is mind-blowing to think about the men and women who attempted to climb the stairs of a 110-story building on a hot day, carrying 70 pounds of gear,” said Oral Historian for the 9/11 Memorial Jenny Pachucki.  “It makes sense that they would want their clothing to be a light as possible.”

 

Among the Protective Gear, a U.S. Flag

Laden with protective gear, Brink sought inspiration in a piece of clothing that wasn't standard issued.  It was the U.S. flag scarf he “grabbed from the hospitality tent.”  He wore it around his neck as a reminder of the swell of patriotism and support he felt while working “on the inside.” A uniform supply stored donated battled tested pants, jackets and first-responder patches to Brink and other workers. He was grateful for the clothing donations because he was able to replace, without any cost to him, NYPD uniforms damage at the site. NYPD officers are required to pay for their own uniforms.

 

Recovery Work Continues into the Bitter Cold

As fall turned to winter, Brink wore "winter wear" as recovery efforts continued. His heavy overall pants, which were donated to workers at respite centers, were topped by a thick NYPD jacket. The warm clothes were a welcomed reprieve from the face-numbing winds.  “Before we got them, we used to freeze our (expletive) off down there with the wind coming in off the Hudson," Brink said. "We felt like we were Washington’s troops at Valley Forge or something.”  The winter ensemble didn't get dirty as much because there wasn't “as much dirty digging” at that point in the effort.

Three ensembles, Three seasons

Brink's three ensembles share a common theme - attack, rescue and recovery - but each conveys a different story. It's artifacts like these that make an unprecedented event in history tangible and, while still difficult, easier to understand. The clothing aptly represent the "seasons of ground zero" and help close the gap between the people who experienced the aftermath and the people exploring 9/11 history. Many of the future visitors to the memorial museum won't be able to relate to what it was like to work amid rubble in a large pit in the middle of winter. It's authentic artifacts like what Brink donated that help make these experiences visceral for all.

By Jenny Pachucki, Oral Historian for the 9/11 Memorial

The 9/11 Memorial inspires a personal story

The 9/11 Memorial inspires a personal story

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For more than 4 years, I’ve worked for the 9/11 Memorial.  I’m a senior development officer and I raise money for building and sustaining the Memorial, which opens next year.

In 2001, I witnessed the Twin Towers fall.  Then I worked in banking at Lehman Brothers near Ground Zero. The boss who hired me had just retired from the firm. My days there were numbered and I knew it.  Typically, new bosses bring in their own people. On September 11, 2001, I arrived late to work and headed straight to my desk without a care. Suddenly, I felt the floor tremble. Soon after a woman nearby yelled, “A plane hit the trade center.”  The South Tower had just been struck.

From a sixth-floor window, I looked up to see the gaping hole and smoke.  Quickly things out of the ordinary began to happen.  I can still see the terrifying images:  From above, I could see a group of people hand in hand falling from the sky. Down below, a man with blood on his hands and face passed my view. My gut said leave. Thank God I did.  I grabbed my purse and left, joining thousands of others fleeing along the city's west side.  We all watched as each tower crumbled, knowing people remained inside.

I had never felt death. I mean real tear-your-gut-out-my-heart-is-breaking death until about two weeks ago today when I lost my sister to cancer.  She was 32.  Since her death, I have a deeper, more personal understanding of why this country needs the 9/11 Memorial. During telephone calls, I explain to people who want to donate how important it is to remember the innocent lives that were stripped away.

Unlike most of the 9/11 victims family members, I had a chance to say goodbye to my sister, whom I love. Losing the ones you love is horrible enough, but when you’re not afforded the chance to say goodbye is a feeling  beyond the pain of a breaking heart.

To learn more about the 9/11 Memorial, visit national911memorial.org. For more information on how to support the 9/11 Memorial & Museum, click here.

By Blake Beatty, Sr. Development Officer for the 9/11 Memorial

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