Tribute Honors Victims of Orlando

Tribute Honors Victims of Orlando

Ribbons of various colors form a rainbow ring around the Survivor Tree. The ribbons have been tied on a railing around the tree to honor victims of the Pulse nightclub shooting in Orlando, Florida.
Ribbons tied around the Survivor Tree in honor of the victims killed in Orlando. Photo by Jin Lee.

On Thursday, hundreds gathered at the 9/11 Memorial to commemorate the lives of the victims killed at Pulse nightclub in what was the deadliest terror attack in the United States since Sept. 11. A tribute was held near the Survivor Tree, a symbol of hope and resilience, in honor of the 49 people who were killed and more than 50 others injured in Orlando, Fla. Sunday morning. 

"Today, our hearts go out to the victims and their families," said 9/11 Memorial President Joe Daniels. "We honor the innocent people who were killed, their families, the injured, the survivors and the first responders who courageously navigated through a hostage situation and saved dozens of lives in the process with their swift and brave actions."

Daniels, joined by members of the cast of the Broadway show, "On Your Feet," and members of the NYPD representing their LGBT community, addressed the crowd. "As a nation, we come together with our hearts overflowing with love and solidarity during these difficult times for our fellow Americans who should have come home that night in Orlando and to show those who want to destroy what this country stands for that they will not succeed," said Daniels.

During the tribute, cast members from On Your Feet! sang the national anthem.

"I know that Orlando will, with the help of our nation, come through this," said Daniels. "By standing at this site, we demonstrate that it is possible to overcome the very real anguish so many are feeling right now."

Following Daniels’ message, a moment of silence was observed for the victims and tribute attendees tied ribbons to the Survivor Tree.

By 9/11 Memorial Staff

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum

A group of construction workers work on the 9/11 Memorial in February 2011. Construction materials surround them as they work on a steel platform.
Construction workers at the 9/11 Memorial Museum in February, 2011. Photo by Joe Woolhead.

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum is a photography series devoted to documenting moments big and small that unfold at the 9/11 Memorial and Museum.

The View: Workers take a break from constructing the 9/11 Memorial and Museum in February 2011. At this time five years ago, workers labored relentlessly to finish construction of the 9/11 Memorial in time for its Sept. 11, 2011, dedication.

By 9/11 Memorial Staff

Exploring Ongoing Health Impacts of 9/11

Exploring Ongoing Health Impacts of 9/11

Visitors tie blue ribbons on a railing surrounding the Last Column during a ceremony on May 30, 2015.
Visitors affixed blue ribbons around the Last Column at the May 2015 commemorative event. Photo by Jin Lee.

Update (12/10):  In recent days the potential reauthorization of the Zadroga Act, which would provide permanent funding for health care programs treating those affected by the 9/11 events, has been in the national spotlight. The New York Daily News labels the reauthorization effort as has having taken a strong step forward.

As part of its commitment to record the continuing impacts of the 2001 attacks, the 9/11 Memorial Museum is providing more information about the physical and mental health consequences linked to the attacks and their aftermath. To help build awareness of the plight of ailing 9/11 survivors, rescuers, and recovery workers sickened by exposure to Ground Zero toxins, visitors to the museum will receive a brochure focused on 9/11-related illnesses.

The brochure also helps visitors locate artifacts and documentation about 9/11-related illnesses in the museum. More information and resources on efforts to ensure long-term medical benefits and compensation for those impacted are available here.  

Each year in May, the National September 11 Memorial & Museum foundation commemorates the formal end of the rescue and recovery effort at Ground Zero.  The recovery effort ended May 30, 2002.  There is also an online registry that documents participants in the rescue, recovery, investigation, cleanup and relief efforts after the terror strikes in New York City, Arlington, Va., and Somerset County, Pa.

By Anthony Guido, 9/11 Memorial Director of Communications

Upcoming Programs in November at the 9/11 Memorial Museum

Upcoming Programs in November at the 9/11 Memorial Museum

Several people sit at a table onstage as they take part in a public program at the Museum Auditorium.
Speakers during a public program in the 9/11 Memorial Museum auditorium. Photo by Jin Lee.

Fall programs at the 9/11 Memorial Museum have been extremely well received thus far, with appearances from former British Prime Minister Tony Blair and former New York City Police Commissioner Ray Kelly. In November, the 9/11 Memorial Museum will host two programs, “The Heart of the Matter: ISIS Online” and “War of the Encyclopaedists.”

On November 4, the program “ISIS Online” hosts The Atlantic contributing editor Graeme Wood who wrote the widespread article, “What ISIS Really Wants,” and Princeton University scholar Cole Bunzel who will discuss how ISIS uses social media to instill fear and recruit supporters.

On November 17, poet Christopher Robinson and Army lawyer and veteran Gavin Kovite will discuss their debut novel set during the military occupation of Iraq, “War of the Encyclopaedists.” The discussion will examine the relationship between soldiers and civilians and a book signing will follow the program.

Program admission is free to museum visitors, but reservations are required prior to the event. Click here for more information and to reserve tickets.

 By 9/11 Memorial Staff

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum

Steel cross beams known as the Cross at Ground Zero are seen among other artifacts at the 9/11 Memorial Museum.
Steel cross beams known as the Cross at Ground Zero installed in the 9/11 Memorial Museum. Photo: Jin Lee.

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum is a photography series devoted to documenting moments big and small that unfold at the 9/11 Memorial and Museum.

The View: An intersecting steel column and crossbeam known as the Cross at Ground Zero on display in the historical exhibition at the 9/11 Memorial Museum.  Volunteer Local 331 construction worker Frank Silecchia found the 17-foot-tall column in the debris at ground zero on September 13, 2001.The cross served as a unifying inspirational symbol to workers at the site during the rescue and recovery period. On July 23, 2011 the cross returned to the World Trade Center site to be lowered into the 9/11 Memorial Museum.

By Jenny Pachucki, 9/11 Memorial Content Strategist 

 

Remembering the ‘Man in the Red Bandana’

Remembering the ‘Man in the Red Bandana’

A red bandana that belonged to Welles Crowther is displayed on a white surface at the Museum.
Bandana that belonged to Welles Crowther, gift of the Alison and Jefferson Crowther Family. Photo by Matt Flynn.

On Sept.11, New Yorkers demonstrated extraordinary courage and risked their lives to save others. One of these heroes was the man in the red bandana, Welles Crowther.  

When hijacked Flight 175 hit the World Trade Center’s South Tower, people on the 78th floor sky lobby huddled together, frightened and confused. There was no escape as far as they could tell. Then, a man with a red bandana covering his nose and mouth suddenly appeared from the wreckage and smoke. He spoke in a calm voice and guided them to a stairway, leading them to safety. The man in the red bandana made three trips to the sky lobby, saving as many people as he could, until the burning building collapsed.Welles Crowther. Gift of Alison and Jefferson Crowther and family.

A few months after 9/11, stories from survivors surfaced about the mysterious man wearing the red bandana. When Alison Crowther read an article about the hero in the New York Times, she knew that man was her son, 24-year-old Welles Crowther. He had carried a red handkerchief since he was a boy. Welles Crowther worked as an equities trader and was also a volunteer firefighter.

Welles Crowther’s bravery and heroism on 9/11 will never be forgotten. As survivor Judy Wein, who was rescued by Crowther notes, “People can live 100 years and not have the compassion, the wherewithal to do what he did.”

Welles Crowther’s red bandana is currently on display in the Museum. A special Stories & Art program tied to his heroic story will take place on Saturday, Sept.5, 2015 at 2 p.m. and 3:30 p.m. Honor Crowther Fagan, sister of Welles Crowther, will read her book inspired by her brother’s courageous story, “The Man in the Red Bandana”. The program is free to Museum visitors with children. Children will have the opportunity to participate in an art activity after the reading and will receive a free copy of the book. Reservations are recommended, but not required.

By 9/11 Memorial Staff

9/11 Survivors Reunite at Survivor Tree 10 Years Later

9/11 Survivors Reunite at Survivor Tree 10 Years Later

Survivor Richard Eichen embraces the stranger who drove him home on September 11, 2001, in the front yard of a home on a sunny day. An American flag stands to the right of them.
Survivor Richard Eichen and the stranger who drove him home on September 11, 2001. Photo courtesy of Richard Eichen.

Although Richard Eichen and Lucy Gonzalez both worked on the 90th floor of the North Tower, they were strangers before September 11, 2001. On that day, the pair evacuated the building together, escaping its collapse by seconds. Ten years later, on September 12, 2011, the two, along with other 9/11 survivors, reunited for the first time under the Survivor Tree at the 9/11 Memorial.

Eichen, a consultant at Pass Consulting Group, had started working at the World Trade Center in early September 2001 and didn’t yet have a key to the office suite. On the morning of 9/11, he was waiting near the 90th floor elevator for his colleague to arrive when he heard a loud bang and was hurled to the ground as the office erupted in flames.

Despite sustaining a severe head wound, Eichen found his way to an adjacent office where he connected with four others, including Lucy Gonzalez. They decided to evacuate as the smoke billowed and they saw large severed pieces of the building falling outside. However, Gonzalez was reluctant and wanted to wait for first responders.

“I told her, ‘Lucy, we’re not leaving anybody behind. We got to get out of here, we’re starting to burn,’ Eichen remembers. "I took her hands, and put them on my shoulders, and I held them so she wouldn’t let go.”  

Lucy Gonzales and Richard Eichen at the Survivor Tree on the 9/11 Memorial plaza, September 12, 2011.

Overcome with anxiety, Gonzalez fainted near the 25th floor on their decent down the stairs. After FDNY firefighters revived her with oxygen, Eichen grabbed Gonzalez and yelled, “wounded coming through!” and descended the final flights of stairs. The building collapsed minutes after they exited.   

Leaving Gonzalez with paramedics, Eichen walked to Downtown Beekman Hospital to seek treatment for his head wound. In the waiting room, he first learned of the terrorist attacks from the news. Still bloody, wearing his hospital gown and a bandage wrapped around his head, Eichen discharged himself and walked over the Brooklyn Bridge toward his parents’ home in Rockaway, Queens. After he crossed the bridge, a stranger offered him a ride and he soon was reunited with his parents.

Weeks later, he tried to locate Gonzalez. Finally able to connect through email, he confirmed that she was okay. It was not until 10 years later that the two decided to reunite and confront their memories together.

They met at the then-newly-dedicated 9/11 Memorial under the Survivor Tree at a special event for survivors. “I really believe the beauty and peace of the memorial affected everyone there,” Eichen said.  

 By Jenny Pachucki, 9/11 Memorial Content Strategist 

Working at the 9/11 Memorial: Through the Eyes of an Exhibitions Intern

Working at the 9/11 Memorial: Through the Eyes of an Exhibitions Intern

Exhibitions intern Chelsea Levine stands beside the south reflecting pool on the 9/11 Memorial plaza.
Chelsea Levine at the 9/11 Memorial. Photo: Christine Murphy.

Since I was a teenager, I’ve worked in museums doing everything from caring for  animals to working as an educator. Through the years I have developed a passion for museums and the roles they serve in each community.

This summer, I interned at the 9/11 Memorial Museum with the exhibition media team, which oversees museum exhibitions containing audio and video.

I worked with nearly 100 individual media installations. Three of those that stand out to me are designed to collect and display memories, emotions, and opinions from voluntary museum visitors.

One of the most popular interactive exhibitions in the Museum is the beam signing in Foundation Hall. It’s a digital guestbook of sorts, where visitors use touchscreens to sign their names or leave messages. In every signature, there is a unique story: A Japanese firefighter expresses solidarity with the FDNY. A Syrian refugee sends a message of peace. A child who just learned about 9/11 promises to remember. I loved reading these messages.

A soundscape called We Remember is one of the first exhibitions visitors encounter in the Museum. This piece reminds us that everyone has a 9/11 story. It features the voices of people from all over the world recounting where they were and how they felt on the morning of September 11, 2001. Visitors are encouraged to record their 9/11 experience in one of the museum’s recording booths.

Visitors are also invited to respond to questions about current events that vary from “How has your life been affected by 9/11?” to “What do you think politicians should learn from 9/11?” Museum staff reviews the recordings and incorporates selections into a video program called Reflecting on 9/11.

Working with these media exhibitions has been an incredible experience. This institution is truly unique. I gained a new understanding of the history of 9/11 and its global impact. My work at the 9/11 Memorial Museum will help me with my master’s degree in the Museum Professions program at Seton Hall University and in my career as a museum professional.  

By Chelsea Levine, 9/11 Memorial Exhibitions Media Intern

The 13 Year Journey of the 9/11 Museum’s First Artifact

The 13 Year Journey of the 9/11 Museum’s First Artifact

The Lady Liberty statue stands outside Battalion 9 firehouse in September 2001. Dozens of other tributes, including American flags and flowers, have been placed in an area beside the statue.
Lady Liberty outside of the Battalion 9 firehouse in September, 2001. Photographer unknown.

Where she originally came from remains a mystery, but in the days following Sept. 11, a nearly 11-foot Statue of Liberty replica appeared outside the Engine 54, Ladder 4 firehouse in Midtown Manhattan. The replica, which is viewed as a symbol of the city’s resilience, strength and compassion, would find its way to the 9/11 Memorial Museum after a 13-year journey.

In the time that it stood guard outside of the busy firehouse, the fiberglass statue transformed into a spontaneous, collective memorial. Wanting to pay respects to the house that lost 15 men on 9/11, members of the public adorned Lady Liberty with tribute items, flags and hopeful messages.Lady Liberty. Photo: Bruce White.

In late 2001, with winter weather approaching, the house relocated Lady Liberty to the Intrepid Sea, Air and Space Museum where she became the center of an exhibit about 9/11. She continued to acquire tributes while on display at the aircraft carrier, including memorial items from victims’ families.     

When the Intrepid closed for renovations, the 9/11 Memorial Museum began working with the FDNY to take the artifact into the museum's collection. In late 2006, Lady Liberty became the new museum’s first major acquisition.

“It may have started out as a gesture to one firehouse, but it performed as a collective alter of grief and respect,” Chief Curator Jan Ramirez said. “It is the co-mingling of shock, pride and compassion all tied up in tributes to the most famous of New York City icons. There isn’t anything more symbolic of New York City than the Statue of Liberty.”

With the museum under construction, she was placed in the museum’s offices, and ultimately installed in the museum in 2013. A team of conservators and art handlers oversaw each move to protect each of her fragile tributes.

Her image is now the center of the National September 11 Memorial & Museum's "Our City. Our Story." awarness campaign designed to engage more New Yorkers through messages of hope and endurance. 

By Jenny Pachucki, 9/11 Memorial Content Strategist

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum

The Last Column is lowered into the 9/11 Memorial Museum by a crane on August 24, 2006.
The Last Column is lowered into the 9/11 Memorial Museum, August 24 2006. Photo: Amy Dreher.

The Lens: Capturing Life and Events at the 9/11 Memorial and Museum is a photography series devoted to documenting moments big and small that unfold at the 9/11 Memorial and Museum.

The View: The Last Column being lowered into the 9/11 Memorial Museum on August 24, 2009, six years ago today. The 58-ton beam is so large that the 9/11 Memorial Museum was constructed around it. It was removed from Ground Zero on May 30, 2002 in a ceremony marking the end of the nine-month recovery effort and transported to an airline hangar at John F. Kennedy Airport for conservation before Museum construction began.

By Jenny Pachucki, 9/11 Memorial Content Strategist 

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