Tapestry of Memories
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Details
Description

TAPESTRY OF MEMORIES

A Site-Specific Participatory Memorial Installation by Agni Zotis

Tapestry of Memories is created for the 25th anniversary of September 11, for Saint Nicholas Greek Orthodox Church and National Shrine at Ground Zero. Honoring those who perished, survivors, first responders, families and all that remember. Rooted in Orthodox tradition, it welcomes people of all faiths and backgrounds to participate in remembrance and prayer. 

The first participatory votive installation presented within a Greek Orthodox church, the work brings contemporary interactive art into dialogue with sacred tradition. A  luminous and light reactive painting is recessed behind a handwoven steel tapestry within a wooden frame. Informed by Zotis’s iconographic training with an Orthodox monk. Dot-by-dot abstraction combines pigments, gold, silver, minerals, and phosphorescent elements, evoking individual lives within a collective tapestry.

Nine vertical strands cross eleven horizontal strands, encoding 9/11 while recalling Manhattan’s grid and the World Trade Center towers. The marine grade wire strands and accessories of the frame connect the work to St. Nicholas, the protector of mariners, and New York’s maritime heritage.  

Visitors are invited to select a tama, with their own prayers, memories, intentions and place it on the grid. The 911 Greek Orthodox tamata, traditional votive offerings, are sourced by Zotis on a devotional pilgrimage to the island of Tinos, devoted to the Panagia (Virgin Mary), symbolize the feminine, all compassionate and unconditional love. Their accumulation is designed to alter the composition, reflections, and shadows, transforming private prayers into collective remembrance.

Within the world famous international Orthodox Church and cenotaph to 9/11 victims designed by Calatrava, with illumination in focus, the participatory memorial installation responds to the setting. The church’s unique iconography includes the Virgin’s Mary nurturing protection over Manhattan. Christ’s Resurrection and taking the first responders by the hand, and St. Nicholas’s generous compassion. The use of gold in the painting evokes Christ’s illumination and triumph over darkness as the “light of the world”. 

The installation itself is a tama, a living votive monument grounded in the prayer for the Eternal Memory to those who perished. Visitors participate by placing an offering of remembrance, faith, loss, prayer and gratitude. Together weaving the tapestry from individual trauma to collective healing.  

 

Material
pigments, gold, silver, canvas, wood, stainless steel, votives, ribbon, book.
Dimensions
7.5 ft by 4ft