New on View: Artifacts Tell Stories of 9/11 Victims

New on View: Artifacts Tell Stories of 9/11 Victims

Three people install artifacts during off-hours at the 9/11 Memorial Museum. A wall featuring images of victims of the attacks towers over two women to the left.
An artifact installation takes place during off hours at the 9/11 Memorial Museum. Photo by Jin Lee.

A new rotation of artifacts on view in the 9/11 Memorial Museum illustrate the lives of some of those killed on Sept. 11. The personal belongings and items provide a window into the interests and experiences of each individual they represent.

Gift of Gloria CalderónA native of Puerto Rico, U.S. Army Sgt. 1st Class Jose Calderon-Olmedo was working as a supply sergeant at the Pentagon on Sept. 11. Throughout his 19 years of service in the Army, he was stationed around the world, including tours in Germany, South Korea, and in the Persian Gulf during Operation Desert Storm in 1991. Commemorating his connection to both Puerto Rico and the United States, Calderon-Olmedo’s bandana and cap are now on view in the memorial exhibition.Gift of the Chowdhury family in memory of Shakila Yasmin & Nurul Miah

Shakila Yasmin loved the songs of poet Rabindranath Tagore, a Nobel laureate from her native Bangladesh. She transcribed his lyrics in Bengali in her journal, which is now on view. A song by Tagore appears on the left-hand page, while at right is one by Indian singer Manna Dey. Both Yasmin and her husband, Nurul H. Miah, worked for Marsh & McLennan.

Also on view is a varsity letter and Hermes pin belonging to John Perry. A lifelong runner, Perry competed on the varsity track and field team at Seaford High School on Long Island and ran three marathons as an adult. After joining the New York City Police Department in 1993, he participated in the NYPD Runners’ Club. On Sept. 11, Officer Perry was off-duty and getting his retirement paperwork together at police headquarters and ran to the World Trade Center to assist.

Artifacts of a total of 21 victims are part of this rotation. The 9/11 Memorial Museum regularly rotates personal artifacts.

By 9/11 Memorial Staff

Tribeca Film Festival Reaches 15-Year Milestone

Tribeca Film Festival Reaches 15-Year Milestone

A yellow taxi cab passes the entrance to the Tribeca Film Festival. A crowd of people is under an illuminated red sign that reads “Tribeca Film Festival.”

The 15th annual Tribeca Film Festival kicked off last night and will run through April 24. The festival features 77 world premiere films and a special 40th anniversary screening of the iconic "Taxi Driver."

The festival was founded in 2002 by Jane Rosenthal and Robert De Niro, both 9/11 Memorial board members, and Craig Hatkoff in response to the devastating Sept. 11 attacks to revitalize the lower Manhattan community and New York City.

"When 9/11 happened, obviously, we thought well this would be a way to revive the neighborhood," De Niro said. "It was successful."

"I can’t say enough about what the Tribeca Film Festival has meant for the rebirth of what was potentially most at risk following 9/11: our spirit," recalled 9/11 Memorial President Joe Daniels. "Jane, Bob and Craig are in the midst of leaving a tremendously strong legacy based on the power of coming together that we saw in the aftermath of that terrible day."

The founders didn’t plan on making it a yearly endeavor, but the festival continues to attract crowds and talent from all over. It has become known as one of the most creatively directed film festivals in the world. This year, the festival received 6,626 submissions. A total of 101 films were selected.  Learn more here.

Hear more about the festival’s journey in De Niro’s podcast from the "Our City. Our Story." series.

By Hannah Coffman, Digital Content Manager

Memorial Architect Recalls Tour with Koch

Memorial Architect Recalls Tour with Koch

9/11 Memorial architect Michael Arab and former New York City Mayor Ed Koch smile for a photo on Memorial plaza. They are both wearing 9/11 Memorial hardhats.
9/11 Memorial architect Michael Arad and former New York Mayor Ed Koch are shown in July at the memorial before it opened in September 2011. (Courtesy photo)

I had the privilege of giving Mayor Ed Koch a tour of the 9/11 Memorial a couple of months before its opening in September 2011.

I had never seen anyone else who toured the site receive a warmer welcome from a multitude of construction workers. They all wanted to have their picture taken with him. 

It was a hot and muggy July morning.  But the mayor patiently and warmly greeted every well-wisher, and posed for multiple cell phone pictures. People reacted to him with so much familiarity and love, like a beloved uncle or grandfather. He was New York.

 By Michael Arad

Michael Arad is a partner at Handel Architects. He worked as a New York City Housing Authority architect before winning the competition to design the 9/11 Memorial. He has worked on several major projects, including a mixed-use skyscraper in Hong Kong and a 37-story tower in Miami.

Never Forget, Run to Remember

 

Come out and support the second annual World Trade Center Run to Remember on September 5.  Pictured above are former and current 9/11 Memorial staff members, who supported the event last year. 9/11 Memorial Museum Director Alice M. Greenwald is pictured on the far right.

Registration for the fundraising event is now open.  To register, visit www.wtcruntoremember.com. According to the organizers, the World Trade Center Run to Remember event is "a celebration of the lives of those lost on September 11, 2001."

The fundraising event is held on Governor's Island, where participants can run or walk.  The funding from the run supports various charitable 9/11 organizations.

By 9/11 Memorial Staff

 

A Living History: The Stories Behind 9/11 Artifacts

A Living History: The Stories Behind 9/11 Artifacts

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“A Living History: The Stories Behind 9/11 Artifacts” is a three-part series written by oral historian Jenny Pachucki of the 9/11 Memorial Museum and edited by Meghan Walsh, communications associate for the 9/11 Memorial. "Three Ensembles: The Seasons of Ground Zero"  is part 3 of 3 in the series. (All photos by 9/11 Memorial staff)

NYPD officer David Brink recently arrived at the 9/11 Memorial Museum's office with a large suitcase.  From it, he pulled out what he called his "three ensembles," all of which he donated to the museum's collection along with other storytelling artifacts. Each of the three ensembles were articles of clothing that correspond to certain times Brink worked at ground zero for nine months during the recovery period.

 

A Clear, Blue Sky on 9/11

On September 11, 2001, Brink dressed in light clothing perfect for a beautiful fall day. Brink recalled donning his standard issued emergency services unit response uniform, consisting of sturdy black boots, gun belt, ropes and repelling gear. The uniform was completed with a Scott air pack. While his response uniform was light, his gear weighed about 70 pounds.  “It is mind-blowing to think about the men and women who attempted to climb the stairs of a 110-story building on a hot day, carrying 70 pounds of gear,” said Oral Historian for the 9/11 Memorial Jenny Pachucki.  “It makes sense that they would want their clothing to be a light as possible.”

 

Among the Protective Gear, a U.S. Flag

Laden with protective gear, Brink sought inspiration in a piece of clothing that wasn't standard issued.  It was the U.S. flag scarf he “grabbed from the hospitality tent.”  He wore it around his neck as a reminder of the swell of patriotism and support he felt while working “on the inside.” A uniform supply stored donated battled tested pants, jackets and first-responder patches to Brink and other workers. He was grateful for the clothing donations because he was able to replace, without any cost to him, NYPD uniforms damage at the site. NYPD officers are required to pay for their own uniforms.

 

Recovery Work Continues into the Bitter Cold

As fall turned to winter, Brink wore "winter wear" as recovery efforts continued. His heavy overall pants, which were donated to workers at respite centers, were topped by a thick NYPD jacket. The warm clothes were a welcomed reprieve from the face-numbing winds.  “Before we got them, we used to freeze our (expletive) off down there with the wind coming in off the Hudson," Brink said. "We felt like we were Washington’s troops at Valley Forge or something.”  The winter ensemble didn't get dirty as much because there wasn't “as much dirty digging” at that point in the effort.

Three ensembles, Three seasons

Brink's three ensembles share a common theme - attack, rescue and recovery - but each conveys a different story. It's artifacts like these that make an unprecedented event in history tangible and, while still difficult, easier to understand. The clothing aptly represent the "seasons of ground zero" and help close the gap between the people who experienced the aftermath and the people exploring 9/11 history. Many of the future visitors to the memorial museum won't be able to relate to what it was like to work amid rubble in a large pit in the middle of winter. It's authentic artifacts like what Brink donated that help make these experiences visceral for all.

By Jenny Pachucki, Oral Historian for the 9/11 Memorial

The 9/11 Memorial inspires a personal story

The 9/11 Memorial inspires a personal story

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For more than 4 years, I’ve worked for the 9/11 Memorial.  I’m a senior development officer and I raise money for building and sustaining the Memorial, which opens next year.

In 2001, I witnessed the Twin Towers fall.  Then I worked in banking at Lehman Brothers near Ground Zero. The boss who hired me had just retired from the firm. My days there were numbered and I knew it.  Typically, new bosses bring in their own people. On September 11, 2001, I arrived late to work and headed straight to my desk without a care. Suddenly, I felt the floor tremble. Soon after a woman nearby yelled, “A plane hit the trade center.”  The South Tower had just been struck.

From a sixth-floor window, I looked up to see the gaping hole and smoke.  Quickly things out of the ordinary began to happen.  I can still see the terrifying images:  From above, I could see a group of people hand in hand falling from the sky. Down below, a man with blood on his hands and face passed my view. My gut said leave. Thank God I did.  I grabbed my purse and left, joining thousands of others fleeing along the city's west side.  We all watched as each tower crumbled, knowing people remained inside.

I had never felt death. I mean real tear-your-gut-out-my-heart-is-breaking death until about two weeks ago today when I lost my sister to cancer.  She was 32.  Since her death, I have a deeper, more personal understanding of why this country needs the 9/11 Memorial. During telephone calls, I explain to people who want to donate how important it is to remember the innocent lives that were stripped away.

Unlike most of the 9/11 victims family members, I had a chance to say goodbye to my sister, whom I love. Losing the ones you love is horrible enough, but when you’re not afforded the chance to say goodbye is a feeling  beyond the pain of a breaking heart.

To learn more about the 9/11 Memorial, visit national911memorial.org. For more information on how to support the 9/11 Memorial & Museum, click here.

By Blake Beatty, Sr. Development Officer for the 9/11 Memorial

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