The Shelby White & Leon Levy Digital Archives Initiative: Part II

Shelby White & Leon Levy Digital Archives Initiative at the 9/11 Memorial & Museum: Part II

  • February 12, 2024

In May 2023, Samantha Spiller joined the Collections Department as the Shelby White & Leon Levy Collections Technician. As a key member of the Shelby White & Leon Levy Digital Archives Initiative at the 9/11 Memorial & Museum, Samantha is tasked with planning and executing the digitization and cataloging of the Museum’s collection of over 5,000 entries to the World Trade Center Site Memorial Competition. An outcome of the project will be the greatly enhanced research availability of these digitized entries on the Museum’s online catalog, Inside the Collection. Here, Samantha guest blogs for us, summarizing the history of this important collection and her role in facilitating public access to this important archive.

Vertically stacked renderings of a potential 9/11 Memorial

The World Trade Center Site Memorial Competition was administered by the Lower Manhattan Development Corporation (LMDC), the entity established in November 2001 to help plan and coordinate the rebuilding and revitalization of lower Manhattan, defined as everything on or south of Houston Street. The design competition for a memorial to the victims of the 9/11 terror attacks was launched in 2003, resulting in the winning choice of "Reflecting Absence" by Michael Arad and Peter Walker, which was announced in early 2004. In 2007, the Museum acquired a large collection of materials related to the competition including 5,201 of the original qualifying entries. Before kicking off the project to digitize and catalog these submissions, I conducted research to learn as much as I could about the LMDC, the Design Competition, and their formative connection to the Museum. The Wayback Machine, a digital archive that preserves copies of defunct websites, made this process much easier. I was able to view the website created for the competition by the LMDC, which is no longer available. One objective of our current grant is to meet and augment the level of access to the 2003-era competition entries once offered through this site.

Brief History of the LMDC and the Competition

A sky blue sign with black and white text announces the memorial design competition

The LMDC is a joint New York State-City corporation created by Governor George E. Pataki and Mayor Rudolph W. Giuliani two months after the 9/11 attacks. Its intent was to recover, rebuild, and revitalize lower Manhattan. In April 2003, the LMDC initiated the competition to select a design for the memorial that would commemorate the nearly 3,000 men, women, and children killed. Anyone, anywhere in the world, could take part if they were 18 years of age or older. The competition attracted people across six continents, from 63 nations and 49 states, with 13,683 registrants and 5,201 qualifying submitted designs. Participants were asked to honor the lives lost on 9/11 in New York City, Washington, DC, Shanksville, PA, and in the February 26, 1993 attack on the World Trade Center. Competitors were also asked to submit design concepts consistent with the Memorial Mission Statement and Program which had been developed by 9/11 family members, lower Manhattan residents, survivors, first responders, arts and architecture professionals, and community leaders: Remember and honor the thousands of innocent men, women, and children murdered by terrorists in the horrific attacks of February 26, 1993, and September 11, 2001. Respect this place made sacred through tragic loss. Recognize the endurance of those who survived, the courage of those who risked their lives to save others, and the compassion of all who supported us in our darkest hours. May the lives remembered, the deeds recognized, and the spirit reawakened be eternal beacons, which reaffirm respect for life, strengthen our resolve to preserve freedom, and inspire an end to hatred, ignorance and intolerance.

Logistics of the Project

A man in a baseball cap, wearing jeans and a dark untucked shirt, adjusts a light over design boards that show proposals for the memorial

Having some prior experience with digitizing collections, I was eager to create a workflow for photographing the competition entries, which were submitted as presentation boards on 30” x 40” foam core. Understanding the material nature of the design boards and how to properly handle and manage their large volume were the initial project challenges. The first step with each board entails its careful removal from a plastic sleeve secured with tape that dates from the competition. I then organize a subset of boards for photography. Michael Hnatov, a professional photographer, has been working with the Museum for many years. He spends two days per week photographing the boards and processing the digital images, averaging around 140 boards per week.

A woman in a ponytail, jeans, and white lab coat leans over to adjust boards depicting proposed memorial designs

To facilitate photography, I perform the role of art handler, placing the individual boards on the copy stand, and record the title of each design if it has one. This is a new piece of data that will be added to the object’s specific catalog record, representing information that the previous competition website omitted. After each photography session, I work with the Museum’s conservation team to survey each board’s condition. They use a specially created form to document the object’s overall condition and whether immediate treatment or future conservation are needed. This data helps our conservators identify preservation priorities and plan future work. Stable boards then are placed in a new, fitted polyethylene sleeve to protect them from dust and safeguard them for their return to storage. Approximately 5% of the boards will require conservation treatment before they can be bagged. With support from the Leon Levy Foundation, the Museum purchased new storage cabinets designed for the entire collection’s improved storage.

To date, I have reviewed approximately 80% of the collection and have been very inspired by the enthusiasm of the submitters as well as the variety of their designs. Stay tuned for a future post where I will share some of the entries that I have found especially compelling.

By Samantha Spiller, Shelby White & Leon Levy Collections Technician

Danish PM Donates Country’s WTC Flag

Danish PM Donates Country’s WTC Flag

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Top: International flags hung from the mezzanines of the World Trade Center (9/11 Museum collection photograph). Bottom: Danish Prime Minister Helle Thorning-Schmidt (R) presents her nation’s flag to 9/11 Memorial Museum chief curator Jan Ramirez (L) (Photo by Michael Frazier).

Danish Prime Minister Helle Thorning-Schmidt today visited the National September 11 Memorial, where she handed over a Danish flag found in the ruins of the World Trade Center, to the National September 11 Memorial Museum.

The Prime Minister also laid flowers by the Survivor Tree and participated in a moment of silence to commemorate the victims of 9/11.

“September 11 remains one of the darkest days in modern history and we must never forget,” Prime Minister Thorning-Schmidt said.  “On behalf of Denmark, it is important for me to be here today to pay my respect to the victims their families, and to the survivors of the 9/11 attacks.  And it is my great honor, on behalf of the people of Denmark, to hand over the flag to the National September 11 Museum where it will serve as a token of Denmark’s continued support and commitment as a close friend and ally of the US.”

The National Danish flag “Dannebrog” was retrieved from the ruins of the World Trade Center after September 11, 2001, by the New York Police Department.  It was brought to the Consulate General of Denmark in 2006, where it has since been displayed in the condition it was found.

By 9/11 Memorial Staff

Stars & Stripes: A 9/11 Tribute

Stars & Stripes: A 9/11 Tribute

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Battered by conditions at Ground Zero, the National 9/11 Flag has been collectively stitched back together over time by thousands nationwide.

In the aftermath of 9/11, the U.S. flag – symbolic of strength and rebuilding – gave hope to Ground Zero recovery workers and people across this country.

As part of the 9/11 Memorial Museum’s mission to “recognize the endurance of those who survived, the courage of those who risked their lives to save others, and the compassion of all who supported us in our darkest hours,” museum curators have been collecting tribute items that draw on the symbolism of the flag.

See a sample of tributes to 9/11 that incorporate the American flag in an exclusive online gallery.  Additional images and details are also available on Pinterest.

By 9/11 Memorial Staff 

A Tribute to PAPD K-9 Officer Sirius

A Tribute to PAPD K-9 Officer Sirius

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Port Authority Police Department Lt. David Lim and his K-9 patrol partner, a yellow Lab named Sirius

On September 11, 2001, Port Authority Police Department Lt. David Lim was in the basement below the World Trade Center's South Tower with his K-9 partner Sirius when he felt the building violently tremble. Feeling duty-bound to assist potentially injured civilians, Lim took time to secure Sirius in his kennel and then went to investigate the disruption, telling his partner, "I'll be back for you."

After miraculously surviving the collapse of the North Tower, Lim's first instinct was to find Sirius, but he was rushed into an ambulance and brought to St. Vincent's Hospital for treatment of injuries he had sustained from the collapse. Unfortunately, Sirius was not as lucky as Lim. His remains, recovered in the winter of 2002 in the wreckage of the South Tower, were ceremoniously removed from Ground Zero with a full honor guard, in a manner befitting a hard-working member of the PAPD.

Recently, Lim donated items in memory of Sirius to the 9/11 Memorial Museum, including a training leash and one of Sirius' badges. Additionally, he gifted the soiled boots and gun belt that he had worn on September 11, 2001 as vestiges of his remarkable survivor story. To view more items in the museum's collection click here.

Sirius TributesItems donated to the museum by Lim, including a training leash and one of Sirius' badges.

Lim's BootsSoiled boots worn by Lim on 9/11, recently gifted to the museum by Lim.

Long Island man donates 150 American flags to museum (Updated)

Long Island man donates 150 American flags to museum (Updated)

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In the aftermath of the Sept. 11 attacks, American citizens were extremely passionate about displaying flags and related patriotic merchandise in public. Newspapers like the New York Times even provided colorful printed American flag inserts that could be used for window display. Flags quickly grew more abundant throughout homes and business across the nation.

An artist and Long Island restaurateur, Ziggy Attias, recognized the cultural phenomenon of collecting American flags, and he began noticing that many, over time, had accidentally been blown off cars and scattered along the sides of roads and highways.  One of these roads was Sunrise Highway in eastern Long Island.  Attias had spotted a torn and weathered flag that was lying on the shoulder, and he decided to go get it.

“When I spotted the first flag, I knew that I had to pull over and retrieve it,” Attias said in a personal statement to the National September 11 Memorial & Museum.  “As soon as I picked the flag up, it seemed to have huge significance and marked by history.  This was not just any flag; it was within a much larger context.”

Soon, Attias found it his personal mission to collect such flags, which had been left behind.

“It was a sad cold winter after 9/11 and seeing our flag like that would have only made it worse,” he said.  “Gradually, I began to see more flags on the side of the road, and I found myself seeking a glimpse of the red, white and blue markings as I drove to work.”

Attias collected these flags throughout the winter of 2002.

“I found flags in many sizes, and at times, just fragments,” he said.  “Some were stuck in bushes or trees, some mixed in with trash, some wet and muddy, others frozen in ice.  As one flag gradually became a collection of many, the significance of them and all they represented grew.”

Attias recently donated his collection of approximately 150 American flags, of varying sizes and conditions, to the 9/11 Memorial Museum, which is scheduled to open in 2012

“As a country, we were beat up as was our flag, yet, we are still here, and 'our flag was still there,'” he said.

Update:  Here is a link to 27east's coverage of Attias' story.

By Meghan Walsh, Communications Associate for the 9/11 Memorial

Collection highlights aftermath of 9/11 attacks

Collection highlights aftermath of 9/11 attacks

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Above: Michael Ragsdale discusses pieces of his collection with 9/11 Memorial Museum exhibition researcher Liz Mazucci. (Photo by Michael Frazier)

 

After watching the Sept. 11 attacks unfold, Michael Ragsdale started a personal campaign to collect fliers, cards and brochures that marked the day’s events and the subsequent months.

“I decided to collect stuff that I felt would be ignored,” he said.

Seeing the North Tower on fire, Ragsdale said he knew something unprecedented was happening and sensed the towers may not exist much longer.  He quickly went down to the site, feeling compelled to grab any memorabilia.  He took a couple hundred World Trade Center brochures shortly before the towers fell.

Ragsdale, who has been an autograph collector since 1997, began collecting this 9/11 ephemera over the 14 months following the attacks.

“I had the opportunity to do it, so I did it,” he said.

 

 

Ragsdale collected pieces such as event fliers that organizations handed out on the streets.  One flier read: “Protest Fire Bombings Against Arab Stores."  He also collected warning signs posted around ground zero and the World Trade Center site, including one that said, “Crime Scene Search Area: Stop."

He said the most shocking piece he collected was a sign he got from around ground zero that read “Warning: Poison.”

Ragsdale's ephemera collection was acquired by the National September 11 Memorial & Museum for display in future exhibitions. The collection has more than 4,100 pieces.  These collected items are to become part of the showcases highlighting the aftermath of the attacks.

Image A: A flier posted by the New York City Police Department near ground zero, indicating "Crime Scene Search Area STOP".  Image B: A flier that was handed out asking for volunteers to show support for ground zero rescue workers.

By Meghan Walsh, Communications Associate with the 9/11 Memorial

Small pieces create bigger 9/11 picture

Small pieces create bigger 9/11 picture

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This is a big week here; baseball season has officially started.  There are several die hard New York Yankees fans on staff: 9/11 Memorial President Joe Daniels being the most enthusiastic, by far.

As work continues on the 9/11 Memorial Museum, after a while, everything seems to connect to the larger story of 9/11 - even the Bronx Bombers. We have several objects in our ever-expanding collection that relate to the great New York baseball club.  Some survivors credit the rained out  Yankees-Red Sox game on Sept. 10, 2001 with saving their lives because it meant they instead watched the New York Giants play. Monday Night Football ran very late, and  in turn, many who watched it were running behind to work on the morning of September 11, narrowly escaping a fate shared by thousands.

Recently an EMT first-responder donated the ticket stub from the September 23, 2001 interfaith “Prayer for America” service that was held at Yankee Stadium to honor the victims of the WTC attacks.  Thousands attended.  Many recall the emotional service and felt it was fitting for New Yorkers to mourn the loss of life and try and heal a wound together at the home of  New York City’s famed club.

Then there's a much more personal connection like the well-worn Yankees cap donated to the museum by the family of Steven Morello of Bayonne, NJ. Morello, who died on 9/11, worked as a facilities manager  in the north tower of the World Trade Center.

The curatorial team at the 9/11 Memorial Museum is working to document these stories of fate, and collective grief and healing.  Sometimes a simple artifact, such as a ticket stub, is worth its weight in gold, and helps to visualize these bigger feelings and concepts that are the fabric of this history.

By Jenny Pachucki, Oral Historian for the 9/11 Memorial Museum

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