Artists Registry

John Apice

Washington NJ United States

    View
    Statement of Work

    CRADLE OF THE INFIDELS

    For Harrie Schwartz

    I was driving the last nails into the coffin of
    The New York City scene
    The day the rainbow faded…the day I woke without
    My morning constitution
    There were nights with my
    Head under the pillows and sheets
    My arms embraced
    The cold cotton shroud of silence
    I began to believe I had to keep
    That hot sting of conscience blessed fire
    From letting my demons out

    I imagined holding the head of America under
    The murky waters of many of her liberties
    Where skin magazines shared space with milk cartons
    With pictures of missing children smiling back
    With lost forever smiles

    I stared like you stared…and they stared
    Just long enough to see
    The narcotic appetites of curiosity take hold until…
    The voice announced the train
    I could see commuters scurry
    As they talked to themselves:

    Do I have my gloves?
    Magazines?
    Cigarettes?
    Hope I get a seat this time
    Oblivious to the heartbeats around them

    I was between the fists of a naked tainted city
    Going downtown.....

    I stopped just long enough to think about it
    Just a little longer than all the rest,
    See…it’s not as serious as most would believe it to be
    The clock will tick just the same

    Climbing the steps from the bowels of the city
    I made my way through her south side
    Took a backseat in Sharif’s cab
    He turned and smiled -- said I could call him “Sonny”
    Weaving in and out of a street
    With manhole covers made in India
    The cab made by a Japanese conglomerate
    So…
    My Arabian hacker drove like Mario Andretti
    And delivered me to the Iroquois Hotel where
    The Armenian doorman greeted me
    The Mexican porter took my bags
    The Puerto Rican shoeshine man waved as he ate Swiss cheese
    While the Korean boy delivered Chinese food to Room 23
    Where the Spanish woman met him with her two French poodles
    I bought a cup of South American java at a Greek Diner
    That a Kosher Senegalese short-order cook served every day

    I made the sign of the cross – my quivering lips took a cautious sip

    I remember when I was a kid
    I used to climb high up into the rooftop water towers
    Sat and watched the city traffic whiz through the streets
    Like blood coursing
    Through some winding asphalt veins
    At night I took my penance with whiskey
    Wore a cigarette in my ear like a war medal
    Tuesdays I ate at the Italian deli
    Olive oil on hard crust Sicilian bread
    Gave me the runs like Mexican water through a tourist
    But it was worth it…just to watch Francesca
    With that blonde peach-fuzz on her olive arms spreading the oil
    Sprinkling the garlic and tomato bits
    With hands that looked like they belonged to a man
    The ceiling fan purred above us
    Huge cheese bells hung silent and smelled so good
    It made me hungry
    Francesca called us her Soprasatta boys
    And all of us neighborhood kids listened and obeyed her
    Because…
    She had the biggest
    Most beautiful tits in town

    Irony is cheap in a city of greed
    With bootleg music and counterfeit watches
    I walked the streets wet in a cool Canal Street rain
    Stopped for a tube steak while
    Sharing the shelter of a German hot dog vendor’s
    Big yellow umbrella
    Who for a dollar twenty five
    Spread a little sauerkraut like a doctor dresses a wound
    And grand fatherly offered me a Jewish knish with
    Mustard and napkin – for free

    He gave it to me for free

    Something I never thought a German would do…
    Maybe I had that Nazi figured wrong…
    well, maybe

    But hey, that’s public relations…right?
    That’s business…
    No hard feelings
    I have a German camera at home
    I like sauerbraten and Jagermeister

    I was getting acquainted with myself
    In a moment of lonely desperation and
    A National Geographic encouraged me on but…
    I couldn’t feel the current through my middleclass skin
    I don’t cry anymore…I wear sadness well
    I have earned the wrinkles in my forehead…see?
    And crows-feet in the corners of my eyes
    I’m entitled to something…
    ain’t I?

    So I took a long drag from a welfare purchased cigarette
    Passed to me by a woman with arthritic fingers
    From a top-hat and tails time
    She looked like she could have been an Andrews Sister
    Things were different then
    Acapulco Gold? Tampa Red? She asked
    Wow, you must be an artist…I said
    The jump an’ jive routine rules
    In the weeds of that old woman’s smile
    I found an orphan grain of beauty
    She showed me a picture of herself at twenty-one…
    Twenty-one and…

    I think I fell in love with that old lady….

    God, that hag had cleavage as deep as a century is long
    Legs that curved like a highway to heaven
    A smile that may have turned heads in Times Square -- at noon, 1949

    “Don’t ever grow old she whispered…”

    That scared me.

    It was almost like falling in love with something dead
    Like that beautiful Gail Russell or Ava Gardner
    Where does beauty go?
    It’s almost like seeing your own destiny as a cruel
    Well-fed fat sick…joke
    Where will my strength go?
    What will I be left with?
    Who will I show my photograph to?

    Will they laugh?

    Maybe God let man invent the camera -- to torment him
    Like this could be humorous in some way
    Years from now:

    “Here, take a look at this picture of me…I used to be beautiful.”

    “That’s you?”

    “Yeah, that’s me.”

    “You were beautiful…back then.”

    Back then?

    So I sat alone on a park bench and
    That old cosmopolitan woman walked away with
    Her school girl grin in tact
    Butt in high gear -- still teasing the air around her
    Played it like a piano
    I turned and looked away…

    A black man with the Sign of David around his neck
    Was fingering thru a dozen old reggae albums
    Leaning over into a wooden milk crate under a folding table
    On the ground at Seventh Avenue
    A little taped sign read: Fifty Cents Each
    His body bopping with rhythmic joy -- finding these treasures
    Men will get on their knees for a good bargain
    This qualifies
    A good vinyl fix is hard to come by
    I wonder if there’s a crate filled with blues under that table too
    Men will get on their knees for a good bargain
    Some women qualify

    A refuse engineer carrying a canvass bag and stick with a sharp pointy tip
    Wearing a turban came by and lifted my feet -- smiled politely
    He stabbed a dog-eared Downbeat Magazine from under my bench
    And silently stood with wide-eyed wonder
    Peeling the damp pages open carefully and grinning
    In his heavy foreign accent he apologized to me –
    Confessed that he dug….Miles Davis

    Go figure

    Then, an Irish cop passed -- squinted at me, studied my face as if
    I were his wife’s left over corned beef and cabbage
    He didn’t hassle me –
    Simply added that Davis was a hack trumpet player – not as good as Satchmo
    He smiled…
    what does an Irishman know about jazz anyway?
    Must be lonely walking a beat alone
    Brylcream in your hair, shoes polished to a glare
    People seldom approach him like he could be their friend
    I guess that weapon is like getting too close to…someone with the flu
    He spoke with a Brooklyn accent…with roots in Boston
    Like a Norman Mailer Kennedy…looking like an Alan Hale Cagney
    I’ll bet he shaves only twice a week -- wears boxer shorts

    There was a bag lady – a homeless woman –
    Sitting close by as I read the Daily News
    She nudged me and whispered:
    “I married a man who had my maiden name
    So just like everything else in my life, nothing changed.”

    I chuckled
    And that was as good as an introduction
    We shared a bottle of Bailey’s
    She fished out of a garbage can near an uptown Jazz club
    She began to weep that well-rehearsed weep -- I had seen it all before
    How she was once a very successful novelist
    Even knew a few gangsters
    Personally

    She did speak with a very refined voice.

    I pulled my cell-phone from my pocket -- tried to make a call but…
    The homeless woman pointed and asked if I knew how that phone worked

    I didn’t

    She belly laughed like a sailor and said some Hollywood actress invented some type of Spread-spectrum communication technology
    And college boy didn’t know how a cell phone worked.
    A Hollywood actress?
    I acknowledged with ignorance and doubt
    As I got up to walk away she shouted to me:

    “Hedy Lamarr….it was Hedy Lamarr….”

    I kept walking
    Her muffled whispers trailed in the distance…..

    “Look it up kid. Educate yourself”

    I did days later out of curiosity.
    She was right. Hedy Lamarr.
    There are moments I wished I had amnesia

    This morning as I walked alone it began to drizzle
    I approached a village record store
    To get in out of the rain
    I noticed there was a Russian clerk with a Russian accent
    with a chipped tooth
    I asked him if he had any Coleman Hawkins jazz records
    So he responds like an Alabama bluesman ~

    It was hilarious

    Like a “jen u ine black boy from norleans, dig?”

    Dimitri used an over ripe banana from Dagastino’s
    As an imaginary saxophone
    ‘Cause everybody has a right to be cool nowadays
    Everybody hates Americans but
    Everybody wants to be an American
    He even had worn jeans on with a 60's peace sign patch
    – sported a pair of scuffed Doc Martens
    Smoked Marlboros, too

    New York…what a town.

    So, again,
    I stopped just long enough to think about it
    Just a little longer than all of the rest
    See…it’s not as serious as most would believe it to be
    In many ways WE are all the same

    This morning I saw a white bread priest blessing people
    Who drew a last pay check
    On what was a clear blue day
    That ended in a gray
    September cloud 2001

    I found myself wondering
    Was she pretty?
    Did he like the Yankees?
    This apprehension in wondering…wondering…wondering
    There’s wild beauty in the collection of smoke and courage
    And there are those who must survive sorrow

    And I stopped just long enough
    To think about them
    Just a little longer
    Than all of the rest
    See…it’s more serious than most would have you believe
    Fear never wears out its welcome

    The blood in my veins
    Always arrives at the same destination
    Despite who I am
    I thought I’d never find any Americans like me here

    But between the heartbeat of its endless streets and windows
    Down inside its subways -- or spreading jam on bread
    Sipping diet cola with a cheese burger or
    Riding buses or old red sled
    Down a hill in Central Park

    Or running up a stairwell of a
    Burning skyscraper
    To save a stranger like…
    Angelo
    He said his name was Angelo
    And her name was Donna
    His name was Shabbir
    Her name was Charlotte
    His name was Manny
    Her name was Sarah
    Her name was Kit
    Her name was Denise
    His name was Wai-Ching

    His name was Michael Diaz-Piedra and...
    His name was Steven Patrick Cherry
    Lamar Demetrius
    Aleksandr
    Ingsborg
    Vassilios
    Aisha
    Nobuhiro
    His name was Jesus
    His name was Mohammad

    Oh yeah…
    There was a Jesus in that building…
    Alongside a Mohammad
    Fate?

    Check the death scrolls
    These names weren’t added for poetic effect
    Divine coincidence?

    Are these
    The capitalistic American pigs the world hates?

    Can we check the pronunciation of those names
    One more forsaken time?

    Because none could tell their race or religion on that day
    Because they all wore gray ash

    If you could find them
    I found Americans in those names…
    Did you ever really see one?

    I did.

    I took a ride in his cab
    I ate the hotdog he was serving
    She sat on that park bench with Hedy Lamarr on her lips
    And one even played an imaginary saxophone trying to be cool

    And he was

    Time may write a short term epitaph
    In each sad and angry face
    With names that end in vowels and those that do not
    With faces posted on city poles and subway walls
    ‘Cause you see…it is important
    More important than most would believe it to be
    Bad things will always happen to good people

    I take my leave and live with my ghosts
    Others sleep in a terminal dreamland
    A donut and coffee
    On a desk no one can find anymore
    The twilight ones
    Who made a last phone call
    On a blue sky day in September
    And left their cars in parking lots silent and…
    Did not drive home to a family dinner
    The so many who will never
    Come home
    Anymore

    There are too many sins that can’t be forgiven
    A wound that will never heal
    Eyes that will never see again
    A wish never to be granted
    Words that should have been spoken
    And a hard crust Italian bread with oil
    That still waits to be eaten
    By a little Soprassata Boy
    Who instead poured a last glass of wine
    To toast his father

    And I’ll always wonder about the truth in the words
    a homeless man once said:

    “With all their education and diplomas
    Current psychiatry will always fail
    Because doctors are unable to help us
    Forget the past”

    Ars Longa Vita Brevis

    Words by John Apice

    All names listed are real people lost Sept. 11th 2001
    Personal friends: Steven Cherry & Michael Diaz Piedra
    Lost in the World Trade Center 9/11/01

    Some of the final quoted words of this poem were spoken during an interview
    With a homeless / nameless man from Canada 1983.

    Ars longa vita brevis = Latin: Art is long Life Is Short
    Soprassata – an expensive Italian salami

    The hero: A nameless person who stood in a crowd and
    wept for strangers on 9-11.

    C-Copyright-Registered House of Apice Poetry 2002
    © Copyright 2010 LaStrada - All rights reserved.